Piermatteo of Amelia (death 1508), after the pioneering studies of Federico Zeri, has emerged in the panorama of Renaissance painting in central Italy between more interesting still, in many ways, mysterious. The essay illustrates the full biographical and professional Piermatteo of Amelia, describing the route between Florence, Umbria and Rome, where he established himself for over twenty years among the most active artists in the Vatican and in other prestigious and important commissions . In the essay are highlighted new considerations on the initial formation of Piermatteo of Amelia, with Filippo Lippi and Andrea del Verrocchio. The phase of Florentine Piermatteo, in the essay, other works are ascribed so far attributed to Pietro Perugino. The patronage of Piermatteo is illustrated in this text with new readings and historical criticism, with the aim of highlighting the prestige acquired by Piermatteo of Amelia in Rome of the Popes Sixtus IV, Innocent VIII and Pope Julius II . Is thrown new light on the origin of Piermatteo masterpiece, The Annunciation now preserved nell'Isabella Stewart Gardner Museum in Boston, originally from Amelia.
'Piermatteo lavora tantissimo'
MARCELLI, FABIO
2009
Abstract
Piermatteo of Amelia (death 1508), after the pioneering studies of Federico Zeri, has emerged in the panorama of Renaissance painting in central Italy between more interesting still, in many ways, mysterious. The essay illustrates the full biographical and professional Piermatteo of Amelia, describing the route between Florence, Umbria and Rome, where he established himself for over twenty years among the most active artists in the Vatican and in other prestigious and important commissions . In the essay are highlighted new considerations on the initial formation of Piermatteo of Amelia, with Filippo Lippi and Andrea del Verrocchio. The phase of Florentine Piermatteo, in the essay, other works are ascribed so far attributed to Pietro Perugino. The patronage of Piermatteo is illustrated in this text with new readings and historical criticism, with the aim of highlighting the prestige acquired by Piermatteo of Amelia in Rome of the Popes Sixtus IV, Innocent VIII and Pope Julius II . Is thrown new light on the origin of Piermatteo masterpiece, The Annunciation now preserved nell'Isabella Stewart Gardner Museum in Boston, originally from Amelia.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
