The polyptych realized in 1508 for the Church of Saint Domenico in Recanati (today in the Civic Museum), is one of Lorenzo Lotto's masterpieces and it is the “hub” between the painter's Venetian training and his arrival in the Apostolic Palaces in Rome. The essay investigates the historical events concerning the patron of the painting, emphasizing his role within the network of relationships among Venice, the Marches and Rome, with a special interest in the policy of Dominican propaganda, carried on by Cardinal Oliviero Carafa, protector of the Order of Preachers.
Polifonia lauretana di Lorenzo Lotto
MARCELLI
2012
Abstract
The polyptych realized in 1508 for the Church of Saint Domenico in Recanati (today in the Civic Museum), is one of Lorenzo Lotto's masterpieces and it is the “hub” between the painter's Venetian training and his arrival in the Apostolic Palaces in Rome. The essay investigates the historical events concerning the patron of the painting, emphasizing his role within the network of relationships among Venice, the Marches and Rome, with a special interest in the policy of Dominican propaganda, carried on by Cardinal Oliviero Carafa, protector of the Order of Preachers.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
