The essay is dedicated to the historical and iconographic study, with a proposal for its recomposition, of the dismembered polyptych from the church of San Domenico in Orvieto, painted by Simone Martini, originally composed of seven panels, the surviving panels of which are visible in the Museo dell'Opera del Duomo in Orvieto.

Polittico da San Domenico di Simone Martini

Fabio Marcelli
2021

Abstract

The essay is dedicated to the historical and iconographic study, with a proposal for its recomposition, of the dismembered polyptych from the church of San Domenico in Orvieto, painted by Simone Martini, originally composed of seven panels, the surviving panels of which are visible in the Museo dell'Opera del Duomo in Orvieto.
2021
978-88-3367-132-1
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11391/1538234
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