MILIANI, Costanza
 Distribuzione geografica
Continente #
NA - Nord America 4.261
EU - Europa 3.679
AS - Asia 2.875
SA - Sud America 579
AF - Africa 48
Continente sconosciuto - Info sul continente non disponibili 7
OC - Oceania 7
Totale 11.456
Nazione #
US - Stati Uniti d'America 4.183
SG - Singapore 1.221
IE - Irlanda 735
UA - Ucraina 629
IT - Italia 500
CN - Cina 499
BR - Brasile 490
HK - Hong Kong 471
DE - Germania 397
SE - Svezia 384
RU - Federazione Russa 363
VN - Vietnam 247
FI - Finlandia 242
KR - Corea 204
GB - Regno Unito 119
FR - Francia 99
AR - Argentina 41
PL - Polonia 40
MX - Messico 35
TR - Turchia 35
CA - Canada 33
IN - India 32
ZA - Sudafrica 29
NL - Olanda 28
ES - Italia 27
BD - Bangladesh 24
JP - Giappone 24
BE - Belgio 21
AT - Austria 20
CH - Svizzera 18
PK - Pakistan 17
UZ - Uzbekistan 16
LB - Libano 15
EC - Ecuador 14
GR - Grecia 14
ID - Indonesia 14
LT - Lituania 12
CO - Colombia 11
VE - Venezuela 10
IQ - Iraq 9
JO - Giordania 8
AE - Emirati Arabi Uniti 6
EU - Europa 6
PY - Paraguay 6
BG - Bulgaria 5
CZ - Repubblica Ceca 5
IR - Iran 5
MA - Marocco 5
AU - Australia 4
MN - Mongolia 4
PS - Palestinian Territory 4
SA - Arabia Saudita 4
CL - Cile 3
CR - Costa Rica 3
DZ - Algeria 3
KE - Kenya 3
AL - Albania 2
AM - Armenia 2
BA - Bosnia-Erzegovina 2
BY - Bielorussia 2
DO - Repubblica Dominicana 2
EE - Estonia 2
HN - Honduras 2
HU - Ungheria 2
IL - Israele 2
JM - Giamaica 2
KZ - Kazakistan 2
NP - Nepal 2
NZ - Nuova Zelanda 2
OM - Oman 2
PE - Perù 2
PT - Portogallo 2
RO - Romania 2
SK - Slovacchia (Repubblica Slovacca) 2
A1 - Anonimo 1
BH - Bahrain 1
BO - Bolivia 1
BS - Bahamas 1
CG - Congo 1
CI - Costa d'Avorio 1
DK - Danimarca 1
EG - Egitto 1
GA - Gabon 1
GE - Georgia 1
GM - Gambi 1
HR - Croazia 1
KH - Cambogia 1
LK - Sri Lanka 1
LV - Lettonia 1
MD - Moldavia 1
MU - Mauritius 1
NO - Norvegia 1
PG - Papua Nuova Guinea 1
PH - Filippine 1
TH - Thailandia 1
TN - Tunisia 1
UY - Uruguay 1
ZW - Zimbabwe 1
Totale 11.456
Città #
Singapore 782
Chandler 754
Dublin 735
Hong Kong 470
Jacksonville 343
San Mateo 309
Ashburn 245
Munich 208
Boardman 205
Seoul 204
Santa Clara 185
Medford 150
Princeton 150
Moscow 131
Beijing 120
Ann Arbor 114
Wilmington 114
Perugia 105
Dong Ket 88
Helsinki 74
Altamura 72
Andover 66
Los Angeles 62
Ho Chi Minh City 56
New York 52
Piscataway 52
Lawrence 50
Saint Petersburg 43
São Paulo 39
Norwalk 35
Hanoi 34
Milan 27
Redmond 27
Rome 23
Shanghai 23
Woodbridge 23
Brooklyn 20
Houston 19
Denver 18
Stockholm 18
Warsaw 18
London 17
Tokyo 17
Dallas 16
Izmir 16
Montreal 16
Atlanta 15
Columbus 15
Council Bluffs 15
Orem 15
Turku 15
Ankara 14
Chennai 14
Falkenstein 14
Johannesburg 14
Mexico City 14
Brussels 13
Des Moines 12
Frankfurt am Main 12
Porto Alegre 12
Redwood City 12
Rio de Janeiro 12
Brasília 11
Poplar 11
The Dalles 11
Boston 10
Chicago 10
Florence 10
San Francisco 10
Amsterdam 9
Campinas 9
Minneapolis 9
Curitiba 8
Haiphong 8
Philadelphia 8
Phoenix 8
San Paolo di Civitate 8
Amman 7
Belo Horizonte 7
Cologne 7
Falls Church 7
Kraków 7
Nuremberg 7
Pistoia 7
Toronto 7
Uzhhorod 7
Auburn Hills 6
Biên Hòa 6
Centurion 6
Charlotte 6
Den Haag 6
Modena 6
Recife 6
Reggio Nell'emilia 6
San Diego 6
San Jose 6
Simi Valley 6
Spoleto 6
Uberlândia 6
Vienna 6
Totale 6.850
Nome #
An integrated spectroscopic approach for the non invasive study of modern art materials and techniques 222
A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials 134
Pala in terracotta maiolicata di Andrea Della Robbia ad Assisi (XV SEC.): studio della tecnica di decorazione e dello stato di conservazione. 124
PHOTOPHYSICAL AND PHOTOCHEMICAL BEHAVIOUR OF SOME NATURAL DYES USED IN PAINTING 124
Spectroscopic Characterization of Medioeval Pottery Sherds 124
Application of the Kubelka-Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers 121
The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques 121
Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks 120
Studio della tecnica pittorica della Deposizione di raffaello tramite tecniche spettroscopiche molecolari non invasive 119
Studio dei materiali costitutivi e dello stato di conservazione con tecniche spettroscopiche non-invasive 119
Authentication and characterisation of pottery sherds from Apricena (FG) 115
Materiali provenienti da siti archeologici: caratterizzazione mediante spettroscopie elettroniche ed ottiche 114
A study on materials and pictorial techniques of the floor of 'S. Francesco' Church, 1524 Deruta (PG) 113
Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I.non-invasive in situ investigations 109
Identificazione non invasiva e proprietà fotofisiche di pigmenti a base di cadmioutilizzati nella pittura moderna e contemporanea 109
Alteration of chrome yellow pigments: study of the effect of commerial lighting systems and different wavelengths by means of synchrotron radiation based XANES and XRF methods 109
AN UV-VISIBLE SPECTROSCOPIC DATABASE OF ORGANIC DYES: A PROMISING AND HELPFUL TOOL FOR A SCIENTIFIC KNOWLEDGE OF WORKS OF ART 108
The ‘Deposizione Baglioni’ (1507): Non-Invasive study of Raphael’s palette by complementary molecular spectroscopic techniques from X-rays to the near infrared 108
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment 107
Luminescence spectroscopy: an investigative tool for art materials 106
Identification of nineteenth century blue and green pigments by in situ x-ray fluorescence and micro-Raman spectroscopy 104
Photoluminescence properties of zinc oxide in paints: study of the effect of self absorption and passivation 104
DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye 104
UV-Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS1-xSex solid solutions employed as artists' pigments 104
In situ non-invasive investigation on the painting techniques of early Meissen Stoneware 101
Disclosing Jackson Pollock's palette in Alchemy (1947) by non-invasive spectroscopies 99
Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings 99
Chartamus tinctorius: an organic dyestuff characterized by luminescence spectroscopy 96
Scientific investigation of an important corpus of Picasso paintings in Antibes: new insights into technique, condition, and chronological sequence 96
Spectroscopic study of acrylic polymers in solid matrices 94
In situ non-invasive study of artworks: the MOLAB multi-technique approach 94
Acidichromic Effects in 1,2- and 1,2,4-Hydroxyanthraquinones. A spectrophotometric and Fluorimetric Study 93
Chartamus tinctorius: an organic dyestuff characterized by steady state and time resolved luminescence spectroscopy 92
Giallo di Napoli: studio spettroscopico in maioliche rinascimentali 91
Il pavimento della Chiesa di S. Francesco, 1524, Deruta (PG): studio dei materiali costitutivi e della tecnica pittorica 91
Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach 91
On the Use of Overtone and Combination Bands for the Analysis of the CaSO4-H2O System by Mid-Infrared Reflection Spectroscopy 91
The Perugino’s palette: integration of an extended in situ XRF study with aimed Raman scattering measurements 90
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate 90
Complexation of Apigenin and Luteolin in Weld Lake: a DFT/TDDFT investigation 90
Fiber-optic mid-FTIR reflectance spectroscopy: a suitable technique for in-situ studies of mural paintings 89
Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc 89
Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi 89
Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state 89
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples 87
FT-NIR spectroscopy for the non-invasive identification of natural poymers in easel paintings 86
Original and fake blue pigments from the church of S. Francesco in Montefalco painted by Benozzo Gozzoli: a spectroscopic approach 86
Non-invasive scientific investigation on the paintings Tutto Nero, 1956 and Bianco e Nero, 1971 86
Subtracted shifted Raman spectroscopy of organic dyes and lakes 86
The Deposizione Baglioni (1507), Non-Invasive Study of Raphael’s Palette by Complementary Molecular Spectroscopic Techniques from X-Rays to the Near Infrared 86
Identification of proteins in painting cross-sections by immunofluorescence microscopy. 86
Caratterizzazione chimico fisica di alcuni frammenti ceramici decorati a lustro provenienti da Deruta (secoli XVI – XVII) 85
CO2 entrapment in natural ultramarine blue 85
Studio dello stato di conservazione e dei materiali costitutivi con tecniche spettroscopiche non invasive 85
Structural characterization of the glassy phase in maiolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures 85
Designs and colors. Gerardo Dottori through non invasive investigations 85
Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 84
Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre-Columbian Codex Fejérváry-Mayer by Means of Non-invasive Analysis 84
Indagini sulla tecnica decorativa e sullo stato conservativo 83
Tracing the biological origin of siccative oils used in paintings through chloroplast DNA analysis 83
Spectroscopic Characterization of Natural Dyes for Their Non-Invasive Identification on Pre-Columbian Codizes: The Maya Yellow 83
Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex 83
X-ray absorption investigations of copper resinate blackening in a XV century Italian painting 82
A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colourants used in artistic paintings 82
Naples Yellow: a spectroscopic study in renaissance majolica 82
Comportamento fotocromico di una spiroossazina adsorbita su un fosfonato di Zr(IV) 81
Bleaching of red lake paints in encaustic mummy portraits 81
The Application of In situ mid-FTIR Fibre-Optic Reflectance Spectroscopy and GC-MS Analysis to Monitor and Evaluate Painting Cleaning 80
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino 80
Investigations on the decorative technique and conservative state of a majolica altar manufactured by Andrea della Robbia 80
Role of protolytic interactions in photo-ageing processes of carminic acid and carminic lake in solution and painted layers 80
Mid-infrared hyperspectral imaging of painting materialsOptics for Arts, Architecture, and Archaeology IV 80
Non-invasive NMR profiling of painting layers 79
Vibrational and electronic properties of painting lakes 79
MOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript 79
Reflectance fluorescence for the identification of organic pigments in paintings: spectroscopy and imaging from macro to micro 78
Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy 78
Photochemistry and cultural heritage. What is the impact of light on works of art? 78
Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience 78
Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium 78
New portable instrument for combined reflectance, time-resolved and steady-state luminescence measurements on works of art. 77
Caratterizzazione di materiali ceramici antichi mediante microscopia elettronica a scansione 76
“Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 76
Photochemistry of artists’ materials: from the laboratory to the museum 76
Durability of the artificial calcium oxalate protective on two Florentine monuments 75
Spettrofluorimetria UV-VIS in riflettanza: una tecnica non distruttiva per la diagnostica dei manufatti artistici 75
Chrome yellow (PbCrO4, PbCr1-xSxO4): the role of sulfate anions on the degradation process of these class of pigments and their detection in paintings by V. van Gogh and his contemporaries through the combined use of SR X-ray and conventional spectroscopic methods 75
Non-invasive characterisation of contamination and alteration materials by fiber optic FT-IR in-situ measurements 74
Fluorescence Spectroscopy: a powerful technique for the non-invasive characterization of artworks 74
Non-invasive identification of metal oxalates and carboxylates on paintings by reflection mid-FTIR spectroscopy 74
Studio dei materiali costitutivi e della tecnica pittorica del pavimento di San Francesco, Deruta (Perugia) 73
Surface Morphology And Composition Of Some 'Lustro' Decorated Fragments Of Ancient Ceramics From Deruta (Central Italy) 73
Indagini sulla tecnica decorativa e sullo stato conservativo di una pala in terracotta maiolicata di produzione robbiana 72
Biodiversità microbica e deterioramento di un soffitto dipinto di palazzo Frenfanelli-Cybo di Foligno (PG)”. 72
Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow paints 72
Efficiency and resistance of the artificial oxalate protection treatment on marble against chemical weathering 70
Micro-Raman spectroscopic study of artificially aged natural and dyed wool 70
Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy 70
Indagini chimiche e microbiologiche sulle incrostazioni prelevate dalla tazza bronzea della Fontana di Piazza dei Priori a Narni (TR) 69
Darkening process of the chrome yellow pigments in paintings by Vincent van Gogh studied by means of synchrotron radiation-based X-ray spectromicroscopy, EPR and vibrational spectroscopy 69
Totale 9.121
Categoria #
all - tutte 51.872
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 51.872


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2020/2021601 0 0 0 0 0 66 99 17 141 49 116 113
2021/20221.171 28 204 32 82 43 9 14 379 35 32 143 170
2022/20232.216 157 297 33 207 179 207 13 90 915 8 81 29
2023/2024964 43 95 45 28 13 17 168 16 147 36 215 141
2024/20252.295 109 205 159 58 297 72 100 138 481 147 378 151
2025/20262.473 327 327 219 666 626 308 0 0 0 0 0 0
Totale 11.793