IRIS - Res&Arch Institutional Research Information System - Research & Archive

MILIANI, Costanza
 Distribuzione geografica
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Continente #
NA - Nord America 3.464
EU - Europa 3.330
AS - Asia 1.384
SA - Sud America 145
AF - Africa 18
Continente sconosciuto - Info sul continente non disponibili 7
OC - Oceania 6
Totale 8.354
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Nazione #
US - Stati Uniti d'America 3.444
IE - Irlanda 735
UA - Ucraina 620
SG - Singapore 586
IT - Italia 455
SE - Svezia 367
RU - Federazione Russa 356
HK - Hong Kong 297
DE - Germania 293
FI - Finlandia 226
CN - Cina 212
BR - Brasile 125
KR - Corea 99
VN - Vietnam 90
GB - Regno Unito 75
FR - Francia 64
TR - Turchia 22
NL - Olanda 20
BE - Belgio 19
PL - Polonia 19
CH - Svizzera 18
AT - Austria 16
UZ - Uzbekistan 13
LB - Libano 12
GR - Grecia 10
PK - Pakistan 10
ZA - Sudafrica 9
CA - Canada 8
LT - Lituania 8
MX - Messico 8
ES - Italia 7
JP - Giappone 7
EU - Europa 6
VE - Venezuela 6
AR - Argentina 5
IR - Iran 5
AU - Australia 4
BG - Bulgaria 4
CZ - Repubblica Ceca 4
IN - India 4
MN - Mongolia 4
AE - Emirati Arabi Uniti 3
BD - Bangladesh 3
DZ - Algeria 3
EC - Ecuador 3
JO - Giordania 3
MA - Marocco 3
CL - Cile 2
EE - Estonia 2
HU - Ungheria 2
ID - Indonesia 2
IL - Israele 2
KE - Kenya 2
NZ - Nuova Zelanda 2
PT - Portogallo 2
SK - Slovacchia (Repubblica Slovacca) 2
A1 - Anonimo 1
AL - Albania 1
AM - Armenia 1
BA - Bosnia-Erzegovina 1
BO - Bolivia 1
BY - Bielorussia 1
CO - Colombia 1
CR - Costa Rica 1
DO - Repubblica Dominicana 1
GE - Georgia 1
HN - Honduras 1
IQ - Iraq 1
JM - Giamaica 1
KH - Cambogia 1
KZ - Kazakistan 1
LK - Sri Lanka 1
LV - Lettonia 1
MU - Mauritius 1
NO - Norvegia 1
NP - Nepal 1
OM - Oman 1
PE - Perù 1
PS - Palestinian Territory 1
PY - Paraguay 1
RO - Romania 1
TH - Thailandia 1
Totale 8.354
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Città #
Chandler 754
Dublin 735
Singapore 383
Jacksonville 342
San Mateo 309
Hong Kong 296
Boardman 205
Santa Clara 173
Medford 150
Princeton 150
Moscow 130
Munich 120
Ann Arbor 114
Wilmington 114
Perugia 103
Seoul 99
Dong Ket 88
Helsinki 73
Altamura 72
Beijing 67
Andover 66
Ashburn 61
Lawrence 50
Saint Petersburg 43
Norwalk 35
Redmond 27
Milan 23
Woodbridge 23
Shanghai 20
Izmir 16
Falkenstein 14
Rome 14
Brussels 13
Los Angeles 13
Des Moines 12
Houston 12
Redwood City 12
Dallas 9
Florence 9
San Paolo di Civitate 8
Cologne 7
Falls Church 7
Kraków 7
New York 7
Philadelphia 7
Pistoia 7
Auburn Hills 6
Centurion 6
Den Haag 6
Modena 6
Reggio Nell'emilia 6
San Diego 6
Simi Valley 6
Spoleto 6
Wuppertal 6
Bologna 5
Kizugawa-shi 5
Ankara 4
Bordeaux 4
Frankfurt Am Main 4
Jyväskylä 4
Mexico City 4
Padova 4
Taxila 4
Toronto 4
Uberlândia 4
Uggiate 4
Vienna 4
Amsterdam 3
Belo Horizonte 3
Casier 3
Castrovillari 3
Chicago 3
Islamabad 3
London 3
Londrina 3
Ottawa 3
Porto Alegre 3
São Paulo 3
Terni 3
The Dalles 3
Amman 2
Aradeo 2
Barcelona 2
Barra do Piraí 2
Bochum 2
Brasília 2
Bratislava 2
Brecon 2
Budapest 2
Campinas 2
Catania 2
Chaoyang 2
Città Di Castello 2
Clermont-ferrand 2
Codroipo 2
Contagem 2
Council Bluffs 2
Durham 2
Elizabethtown 2
Totale 5.184
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Nome #
An integrated spectroscopic approach for the non invasive study of modern art materials and techniques 194
Studio dei materiali costitutivi e dello stato di conservazione con tecniche spettroscopiche non-invasive 103
Pala in terracotta maiolicata di Andrea Della Robbia ad Assisi (XV SEC.): studio della tecnica di decorazione e dello stato di conservazione. 102
A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials 101
Spectroscopic Characterization of Medioeval Pottery Sherds 100
Studio della tecnica pittorica della Deposizione di raffaello tramite tecniche spettroscopiche molecolari non invasive 94
Identificazione non invasiva e proprietà fotofisiche di pigmenti a base di cadmioutilizzati nella pittura moderna e contemporanea 93
A study on materials and pictorial techniques of the floor of 'S. Francesco' Church, 1524 Deruta (PG) 89
Materiali provenienti da siti archeologici: caratterizzazione mediante spettroscopie elettroniche ed ottiche 88
The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques 88
Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks 88
PHOTOPHYSICAL AND PHOTOCHEMICAL BEHAVIOUR OF SOME NATURAL DYES USED IN PAINTING 86
Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I.non-invasive in situ investigations 86
DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye 86
Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings 86
Luminescence spectroscopy: an investigative tool for art materials 85
UV-Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS1-xSex solid solutions employed as artists' pigments 85
AN UV-VISIBLE SPECTROSCOPIC DATABASE OF ORGANIC DYES: A PROMISING AND HELPFUL TOOL FOR A SCIENTIFIC KNOWLEDGE OF WORKS OF ART 84
Application of the Kubelka-Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers 83
Identification of nineteenth century blue and green pigments by in situ x-ray fluorescence and micro-Raman spectroscopy 82
Authentication and characterisation of pottery sherds from Apricena (FG) 82
The ‘Deposizione Baglioni’ (1507): Non-Invasive study of Raphael’s palette by complementary molecular spectroscopic techniques from X-rays to the near infrared 81
Photoluminescence properties of zinc oxide in paints: study of the effect of self absorption and passivation 78
The Perugino’s palette: integration of an extended in situ XRF study with aimed Raman scattering measurements 75
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment 75
Tracing the biological origin of siccative oils used in paintings through chloroplast DNA analysis 74
In situ non-invasive investigation on the painting techniques of early Meissen Stoneware 73
In situ non-invasive study of artworks: the MOLAB multi-technique approach 73
Il pavimento della Chiesa di S. Francesco, 1524, Deruta (PG): studio dei materiali costitutivi e della tecnica pittorica 71
Scientific investigation of an important corpus of Picasso paintings in Antibes: new insights into technique, condition, and chronological sequence 71
Complexation of Apigenin and Luteolin in Weld Lake: a DFT/TDDFT investigation 71
Alteration of chrome yellow pigments: study of the effect of commerial lighting systems and different wavelengths by means of synchrotron radiation based XANES and XRF methods 69
Designs and colors. Gerardo Dottori through non invasive investigations 69
Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre-Columbian Codex Fejérváry-Mayer by Means of Non-invasive Analysis 68
Fiber-optic mid-FTIR reflectance spectroscopy: a suitable technique for in-situ studies of mural paintings 67
Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach 67
Comportamento fotocromico di una spiroossazina adsorbita su un fosfonato di Zr(IV) 67
CO2 entrapment in natural ultramarine blue 67
Reflectance fluorescence for the identification of organic pigments in paintings: spectroscopy and imaging from macro to micro 65
Chartamus tinctorius: an organic dyestuff characterized by luminescence spectroscopy 65
Acidichromic Effects in 1,2- and 1,2,4-Hydroxyanthraquinones. A spectrophotometric and Fluorimetric Study 65
Original and fake blue pigments from the church of S. Francesco in Montefalco painted by Benozzo Gozzoli: a spectroscopic approach 64
Non-invasive scientific investigation on the paintings Tutto Nero, 1956 and Bianco e Nero, 1971 64
Caratterizzazione chimico fisica di alcuni frammenti ceramici decorati a lustro provenienti da Deruta (secoli XVI – XVII) 64
Spectroscopic study of acrylic polymers in solid matrices 64
New portable instrument for combined reflectance, time-resolved and steady-state luminescence measurements on works of art. 64
Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi 64
Disclosing Jackson Pollock's palette in Alchemy (1947) by non-invasive spectroscopies 64
Giallo di Napoli: studio spettroscopico in maioliche rinascimentali 63
Subtracted shifted Raman spectroscopy of organic dyes and lakes 63
Non-invasive NMR profiling of painting layers 63
The Deposizione Baglioni (1507), Non-Invasive Study of Raphael’s Palette by Complementary Molecular Spectroscopic Techniques from X-Rays to the Near Infrared 63
FT-NIR spectroscopy for the non-invasive identification of natural poymers in easel paintings 62
Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex 62
Indagini sulla tecnica decorativa e sullo stato conservativo 61
On the Use of Overtone and Combination Bands for the Analysis of the CaSO4-H2O System by Mid-Infrared Reflection Spectroscopy 61
Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 61
Photochemistry of artists’ materials: from the laboratory to the museum 61
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate 61
The Application of In situ mid-FTIR Fibre-Optic Reflectance Spectroscopy and GC-MS Analysis to Monitor and Evaluate Painting Cleaning 60
X-ray absorption investigations of copper resinate blackening in a XV century Italian painting 60
Studio dello stato di conservazione e dei materiali costitutivi con tecniche spettroscopiche non invasive 60
A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colourants used in artistic paintings 60
Chartamus tinctorius: an organic dyestuff characterized by steady state and time resolved luminescence spectroscopy 60
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples 60
Mid-infrared hyperspectral imaging of painting materialsOptics for Arts, Architecture, and Archaeology IV 60
Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc 59
Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience 59
Vibrational and electronic properties of painting lakes 58
Identification of proteins in painting cross-sections by immunofluorescence microscopy. 58
Spettrofluorimetria UV-VIS in riflettanza: una tecnica non distruttiva per la diagnostica dei manufatti artistici 58
Bleaching of red lake paints in encaustic mummy portraits 58
Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state 58
Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium 58
Durability of the artificial calcium oxalate protective on two Florentine monuments 57
Role of protolytic interactions in photo-ageing processes of carminic acid and carminic lake in solution and painted layers 57
Non-invasive characterisation of contamination and alteration materials by fiber optic FT-IR in-situ measurements 56
MOLAB, a mobile facility suitable for non-invasive in-situ investigations of early and contemporary paintings: the case-study of Victory Boogie Woogie (1942-1944) by Piet Mondrian 56
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino 56
Raman scattering features of lead pyroantimonate compounds Part II. In- situ characterization of Renaissance ceramics by portable micro-Raman and XRF 56
Non-invasive identification of metal oxalates and carboxylates on paintings by reflection mid-FTIR spectroscopy 56
Indagini chimiche e microbiologiche sulle incrostazioni prelevate dalla tazza bronzea della Fontana di Piazza dei Priori a Narni (TR) 55
Surface Morphology And Composition Of Some 'Lustro' Decorated Fragments Of Ancient Ceramics From Deruta (Central Italy) 55
“Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 55
Photochemistry and cultural heritage. What is the impact of light on works of art? 55
Efficiency and resistance of the artificial oxalate protection treatment on marble against chemical weathering 54
Micro-Raman spectroscopic study of artificially aged natural and dyed wool 54
Photoluminescence properties of painting materials: from the laboratory to the museum” 54
Naples Yellow: a spectroscopic study in renaissance majolica 54
Fotocromismo di alcune spiro-indolino-ossazine: studio fotocinetico della reazione promossa per irradiamento diretto e fotosensibilizzata per trasferimento di energia 53
Caratterizzazione di materiali ceramici antichi mediante microscopia elettronica a scansione 53
Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy 53
Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy 53
Structural characterization of the glassy phase in maiolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures 52
Indagini sulla tecnica decorativa e sullo stato conservativo di una pala in terracotta maiolicata di produzione robbiana 52
Darkening process of the chrome yellow pigments in paintings by Vincent van Gogh studied by means of synchrotron radiation-based X-ray spectromicroscopy, EPR and vibrational spectroscopy 52
Chrome yellow (PbCrO4, PbCr1-xSxO4): the role of sulfate anions on the degradation process of these class of pigments and their detection in paintings by V. van Gogh and his contemporaries through the combined use of SR X-ray and conventional spectroscopic methods 52
Spectroscopic Characterization of Natural Dyes for Their Non-Invasive Identification on Pre-Columbian Codizes: The Maya Yellow 51
Biodiversità microbica e deterioramento di un soffitto dipinto di palazzo Frenfanelli-Cybo di Foligno (PG)”. 51
The darkening of chrome yellow pigments in paintings by Vincent van Gogh 51
Totale 6.814
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Categoria #
all - tutte 38.456
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 38.456
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2019/2020138 0 0 0 0 0 0 0 0 0 61 15 62
2020/20211.226 6 97 43 91 388 66 99 17 141 49 116 113
2021/20221.171 28 204 32 82 43 9 14 379 35 32 143 170
2022/20232.216 157 297 33 207 179 207 13 90 915 8 81 29
2023/2024964 43 95 45 28 13 17 168 16 147 36 215 141
2024/20251.666 109 205 159 58 297 72 100 138 481 47 0 0
Totale 8.691