MILIANI, Costanza
 Distribuzione geografica
Continente #
NA - Nord America 5.586
EU - Europa 4.157
AS - Asia 3.685
SA - Sud America 695
Continente sconosciuto - Info sul continente non disponibili 344
AF - Africa 97
OC - Oceania 7
Totale 14.571
Nazione #
US - Stati Uniti d'America 5.453
SG - Singapore 1.513
IE - Irlanda 735
UA - Ucraina 637
IT - Italia 611
CN - Cina 573
BR - Brasile 542
HK - Hong Kong 506
RU - Federazione Russa 485
DE - Germania 404
SE - Svezia 384
VN - Vietnam 341
FR - Francia 259
FI - Finlandia 246
KR - Corea 204
GB - Regno Unito 147
BD - Bangladesh 144
IN - India 82
CA - Canada 62
TR - Turchia 59
AR - Argentina 56
PL - Polonia 42
MX - Messico 40
ZA - Sudafrica 40
IQ - Iraq 33
NL - Olanda 33
PK - Pakistan 33
ES - Italia 30
CO - Colombia 29
EC - Ecuador 26
UZ - Uzbekistan 26
JP - Giappone 25
GR - Grecia 24
BE - Belgio 23
ID - Indonesia 23
AT - Austria 21
CH - Svizzera 20
LB - Libano 19
VE - Venezuela 19
SA - Arabia Saudita 17
JO - Giordania 13
MA - Marocco 13
LT - Lituania 12
PH - Filippine 11
AE - Emirati Arabi Uniti 10
PY - Paraguay 10
KE - Kenya 8
EG - Egitto 7
TN - Tunisia 7
AL - Albania 6
CL - Cile 6
DZ - Algeria 6
EU - Europa 6
OM - Oman 6
BG - Bulgaria 5
CR - Costa Rica 5
CZ - Repubblica Ceca 5
ET - Etiopia 5
IR - Iran 5
JM - Giamaica 5
NP - Nepal 5
PS - Palestinian Territory 5
AU - Australia 4
MN - Mongolia 4
MY - Malesia 4
TH - Thailandia 4
AM - Armenia 3
AZ - Azerbaigian 3
BO - Bolivia 3
BY - Bielorussia 3
HN - Honduras 3
HR - Croazia 3
IL - Israele 3
PA - Panama 3
PT - Portogallo 3
RO - Romania 3
SV - El Salvador 3
BA - Bosnia-Erzegovina 2
BZ - Belize 2
CI - Costa d'Avorio 2
DO - Repubblica Dominicana 2
EE - Estonia 2
HU - Ungheria 2
KH - Cambogia 2
KZ - Kazakistan 2
MD - Moldavia 2
NI - Nicaragua 2
NZ - Nuova Zelanda 2
PE - Perù 2
RS - Serbia 2
SK - Slovacchia (Repubblica Slovacca) 2
SY - Repubblica araba siriana 2
UY - Uruguay 2
ZW - Zimbabwe 2
A1 - Anonimo 1
AG - Antigua e Barbuda 1
AO - Angola 1
BB - Barbados 1
BH - Bahrain 1
BJ - Benin 1
Totale 14.216
Città #
Singapore 1.011
Chandler 754
Dublin 735
Hong Kong 504
San Jose 480
Jacksonville 343
Ashburn 342
San Mateo 309
Munich 208
Boardman 205
Santa Clara 205
Seoul 204
Moscow 191
Medford 150
Princeton 150
Beijing 132
Lauterbourg 130
Ann Arbor 114
Wilmington 114
Perugia 108
New York 91
Dong Ket 88
Los Angeles 85
Helsinki 78
Ho Chi Minh City 78
Altamura 72
Andover 66
Hanoi 58
Piscataway 54
Lawrence 50
São Paulo 47
Saint Petersburg 43
Milan 40
Norwalk 35
Orem 34
Rome 34
The Dalles 32
Dallas 28
Redmond 27
Brooklyn 25
Shanghai 24
Atlanta 23
Chennai 23
Woodbridge 23
Houston 21
London 21
Montreal 20
Denver 19
Warsaw 19
Izmir 18
Paris 18
Stockholm 18
Tokyo 18
Council Bluffs 17
Frankfurt am Main 17
San Francisco 17
Columbus 16
Florence 16
Johannesburg 16
Mexico City 16
Phoenix 16
Chicago 15
Turku 15
Ankara 14
Brasília 14
Falkenstein 14
Porto Alegre 14
Rio de Janeiro 14
Tashkent 14
Brussels 13
Des Moines 13
Poplar 12
Redwood City 12
Baghdad 11
Boston 11
Haiphong 11
Medellín 11
Minneapolis 11
Philadelphia 11
Toronto 11
Amman 10
Amsterdam 10
Quito 10
Campinas 9
Manchester 9
Mumbai 9
Nuremberg 9
Athens 8
Belo Horizonte 8
Biên Hòa 8
Bologna 8
Buffalo 8
Charlotte 8
Curitiba 8
Da Nang 8
Dhaka 8
Lahore 8
Modena 8
San Paolo di Civitate 8
Bari 7
Totale 8.260
Nome #
Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art 367
An integrated spectroscopic approach for the non invasive study of modern art materials and techniques 251
The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue) 188
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples 175
Scientific investigation of an important corpus of Picasso paintings in Antibes: new insights into technique, condition, and chronological sequence 162
A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials 148
The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques 143
Pala in terracotta maiolicata di Andrea Della Robbia ad Assisi (XV SEC.): studio della tecnica di decorazione e dello stato di conservazione. 142
Application of the Kubelka-Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers 142
In situ non-invasive study of artworks: the MOLAB multi-technique approach 139
Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow paints 139
Studio della tecnica pittorica della Deposizione di raffaello tramite tecniche spettroscopiche molecolari non invasive 138
Studio dei materiali costitutivi e dello stato di conservazione con tecniche spettroscopiche non-invasive 136
Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I.non-invasive in situ investigations 136
Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks 136
Spectroscopic Characterization of Medioeval Pottery Sherds 135
PHOTOPHYSICAL AND PHOTOCHEMICAL BEHAVIOUR OF SOME NATURAL DYES USED IN PAINTING 133
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment 133
A study on materials and pictorial techniques of the floor of 'S. Francesco' Church, 1524 Deruta (PG) 132
Authentication and characterisation of pottery sherds from Apricena (FG) 131
Alteration of chrome yellow pigments: study of the effect of commerial lighting systems and different wavelengths by means of synchrotron radiation based XANES and XRF methods 131
Materiali provenienti da siti archeologici: caratterizzazione mediante spettroscopie elettroniche ed ottiche 129
Photoluminescence properties of zinc oxide in paints: study of the effect of self absorption and passivation 127
AN UV-VISIBLE SPECTROSCOPIC DATABASE OF ORGANIC DYES: A PROMISING AND HELPFUL TOOL FOR A SCIENTIFIC KNOWLEDGE OF WORKS OF ART 126
Disclosing Jackson Pollock's palette in Alchemy (1947) by non-invasive spectroscopies 125
Identificazione non invasiva e proprietà fotofisiche di pigmenti a base di cadmioutilizzati nella pittura moderna e contemporanea 121
Luminescence spectroscopy: an investigative tool for art materials 120
Identification of nineteenth century blue and green pigments by in situ x-ray fluorescence and micro-Raman spectroscopy 119
The ‘Deposizione Baglioni’ (1507): Non-Invasive study of Raphael’s palette by complementary molecular spectroscopic techniques from X-rays to the near infrared 119
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples 119
DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye 117
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate 117
In situ non-invasive investigation on the painting techniques of early Meissen Stoneware 116
UV-Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS1-xSex solid solutions employed as artists' pigments 115
Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy 114
Chartamus tinctorius: an organic dyestuff characterized by luminescence spectroscopy 112
Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach 112
Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings 112
Acidichromic Effects in 1,2- and 1,2,4-Hydroxyanthraquinones. A spectrophotometric and Fluorimetric Study 111
The Deposizione Baglioni (1507), Non-Invasive Study of Raphael’s Palette by Complementary Molecular Spectroscopic Techniques from X-Rays to the Near Infrared 109
Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi 109
Designs and colors. Gerardo Dottori through non invasive investigations 109
Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc 107
Chartamus tinctorius: an organic dyestuff characterized by steady state and time resolved luminescence spectroscopy 107
Spectroscopic study of acrylic polymers in solid matrices 105
X-ray absorption investigations of copper resinate blackening in a XV century Italian painting 104
On the Use of Overtone and Combination Bands for the Analysis of the CaSO4-H2O System by Mid-Infrared Reflection Spectroscopy 104
FT-NIR spectroscopy for the non-invasive identification of natural poymers in easel paintings 103
Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state 103
Il pavimento della Chiesa di S. Francesco, 1524, Deruta (PG): studio dei materiali costitutivi e della tecnica pittorica 102
Caratterizzazione chimico fisica di alcuni frammenti ceramici decorati a lustro provenienti da Deruta (secoli XVI – XVII) 102
A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colourants used in artistic paintings 102
Identification of proteins in painting cross-sections by immunofluorescence microscopy. 101
Complexation of Apigenin and Luteolin in Weld Lake: a DFT/TDDFT investigation 101
Subtracted shifted Raman spectroscopy of organic dyes and lakes 100
Tracing the biological origin of siccative oils used in paintings through chloroplast DNA analysis 100
MOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript 100
Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre-Columbian Codex Fejérváry-Mayer by Means of Non-invasive Analysis 100
Fiber-optic mid-FTIR reflectance spectroscopy: a suitable technique for in-situ studies of mural paintings 99
The Perugino’s palette: integration of an extended in situ XRF study with aimed Raman scattering measurements 99
Original and fake blue pigments from the church of S. Francesco in Montefalco painted by Benozzo Gozzoli: a spectroscopic approach 99
Non-invasive scientific investigation on the paintings Tutto Nero, 1956 and Bianco e Nero, 1971 99
CO2 entrapment in natural ultramarine blue 99
Vibrational and electronic properties of painting lakes 99
Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 99
Giallo di Napoli: studio spettroscopico in maioliche rinascimentali 98
Studio dello stato di conservazione e dei materiali costitutivi con tecniche spettroscopiche non invasive 98
Chrome yellow (PbCrO4, PbCr1-xSxO4): the role of sulfate anions on the degradation process of these class of pigments and their detection in paintings by V. van Gogh and his contemporaries through the combined use of SR X-ray and conventional spectroscopic methods 98
Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium 98
Bleaching of red lake paints in encaustic mummy portraits 97
Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex 97
Biodiversità microbica e deterioramento di un soffitto dipinto di palazzo Frenfanelli-Cybo di Foligno (PG)”. 97
The Application of In situ mid-FTIR Fibre-Optic Reflectance Spectroscopy and GC-MS Analysis to Monitor and Evaluate Painting Cleaning 96
Mid-infrared hyperspectral imaging of painting materialsOptics for Arts, Architecture, and Archaeology IV 96
Structural characterization of the glassy phase in maiolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures 95
Role of protolytic interactions in photo-ageing processes of carminic acid and carminic lake in solution and painted layers 95
Non-invasive NMR profiling of painting layers 94
Durability of the artificial calcium oxalate protective on two Florentine monuments 93
Fluorescence Spectroscopy: a powerful technique for the non-invasive characterization of artworks 93
Photochemistry and cultural heritage. What is the impact of light on works of art? 92
Indagini sulla tecnica decorativa e sullo stato conservativo 91
Reflectance fluorescence for the identification of organic pigments in paintings: spectroscopy and imaging from macro to micro 91
Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience 90
Non-invasive identification of metal oxalates and carboxylates on paintings by reflection mid-FTIR spectroscopy 90
Naples Yellow: a spectroscopic study in renaissance majolica 90
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino 89
Photochemistry of artists’ materials: from the laboratory to the museum 89
Caratterizzazione di materiali ceramici antichi mediante microscopia elettronica a scansione 88
Investigations on the decorative technique and conservative state of a majolica altar manufactured by Andrea della Robbia 88
Darkening process of the chrome yellow pigments in paintings by Vincent van Gogh studied by means of synchrotron radiation-based X-ray spectromicroscopy, EPR and vibrational spectroscopy 88
New portable instrument for combined reflectance, time-resolved and steady-state luminescence measurements on works of art. 87
Spectroscopic Characterization of Natural Dyes for Their Non-Invasive Identification on Pre-Columbian Codizes: The Maya Yellow 87
Comportamento fotocromico di una spiroossazina adsorbita su un fosfonato di Zr(IV) 86
Efficiency and resistance of the artificial oxalate protection treatment on marble against chemical weathering 86
“Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 86
Surface Morphology And Composition Of Some 'Lustro' Decorated Fragments Of Ancient Ceramics From Deruta (Central Italy) 85
Chromium-speciation investigations to study the chemical factors influencing the darkening of lead chromate pigments: the case of paintings by Vincent van Gogh 85
Characterization and degradation of chrome yellow pigments in paintings by Vincent van Gogh 85
Indagini sulla tecnica decorativa e sullo stato conservativo di una pala in terracotta maiolicata di produzione robbiana 84
Studio dei materiali costitutivi e della tecnica pittorica del pavimento di San Francesco, Deruta (Perugia) 83
Totale 11.314
Categoria #
all - tutte 62.157
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 62.157


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/20221.143 0 204 32 82 43 9 14 379 35 32 143 170
2022/20232.216 157 297 33 207 179 207 13 90 915 8 81 29
2023/2024964 43 95 45 28 13 17 168 16 147 36 215 141
2024/20252.295 109 205 159 58 297 72 100 138 481 147 378 151
2025/20264.677 327 327 219 666 626 334 750 222 510 375 130 191
2026/2027574 361 213 0 0 0 0 0 0 0 0 0 0
Totale 14.571