IRIS - Res&Arch Institutional Research Information System - Research & Archive

MILIANI, Costanza
 Distribuzione geografica
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Continente #
NA - Nord America 6.620
EU - Europa 4.259
AS - Asia 3.714
SA - Sud America 721
Continente sconosciuto - Info sul continente non disponibili 355
AF - Africa 102
OC - Oceania 7
Totale 15.778
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Nazione #
US - Stati Uniti d'America 6.368
SG - Singapore 1.529
IE - Irlanda 737
IT - Italia 673
UA - Ucraina 639
CN - Cina 575
BR - Brasile 560
HK - Hong Kong 509
RU - Federazione Russa 490
DE - Germania 408
SE - Svezia 384
VN - Vietnam 342
FR - Francia 261
FI - Finlandia 246
KR - Corea 204
GB - Regno Unito 160
BD - Bangladesh 144
CA - Canada 94
IN - India 82
TR - Turchia 59
AR - Argentina 56
PL - Polonia 42
MX - Messico 41
ZA - Sudafrica 40
PK - Pakistan 35
NL - Olanda 34
IQ - Iraq 33
CO - Colombia 32
ES - Italia 31
EC - Ecuador 28
UZ - Uzbekistan 26
JP - Giappone 25
GR - Grecia 24
BE - Belgio 23
CH - Svizzera 23
ID - Indonesia 23
AT - Austria 21
VE - Venezuela 20
CR - Costa Rica 19
LB - Libano 19
TT - Trinidad e Tobago 18
SA - Arabia Saudita 17
JO - Giordania 13
MA - Marocco 13
GT - Guatemala 12
HN - Honduras 12
LT - Lituania 12
SV - El Salvador 12
CW - ???statistics.table.value.countryCode.CW??? 11
PH - Filippine 11
AE - Emirati Arabi Uniti 10
PR - Porto Rico 10
PY - Paraguay 10
GP - Guadalupe 8
JM - Giamaica 8
KE - Kenya 8
AL - Albania 7
CL - Cile 7
EG - Egitto 7
NI - Nicaragua 7
TN - Tunisia 7
DZ - Algeria 6
EE - Estonia 6
EU - Europa 6
IL - Israele 6
OM - Oman 6
BG - Bulgaria 5
CZ - Repubblica Ceca 5
ET - Etiopia 5
IR - Iran 5
MY - Malesia 5
NP - Nepal 5
PS - Palestinian Territory 5
AU - Australia 4
MN - Mongolia 4
SC - Seychelles 4
TH - Thailandia 4
AM - Armenia 3
AZ - Azerbaigian 3
BO - Bolivia 3
BY - Bielorussia 3
HR - Croazia 3
HU - Ungheria 3
KZ - Kazakistan 3
PA - Panama 3
PE - Perù 3
PT - Portogallo 3
RO - Romania 3
BA - Bosnia-Erzegovina 2
BZ - Belize 2
CI - Costa d'Avorio 2
DK - Danimarca 2
DO - Repubblica Dominicana 2
KH - Cambogia 2
MD - Moldavia 2
NZ - Nuova Zelanda 2
RS - Serbia 2
SK - Slovacchia (Repubblica Slovacca) 2
SY - Repubblica araba siriana 2
UY - Uruguay 2
Totale 15.417
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Città #
Singapore 1.011
Chandler 754
Dublin 735
Ashburn 675
San Jose 534
Hong Kong 506
Jacksonville 343
San Mateo 309
Santa Clara 225
Munich 208
Boardman 205
Seoul 204
Council Bluffs 202
Moscow 191
Princeton 162
Medford 150
Beijing 132
Lauterbourg 130
Wilmington 115
Ann Arbor 114
Perugia 108
New York 96
Los Angeles 92
Dong Ket 88
Helsinki 78
Ho Chi Minh City 78
Altamura 72
Andover 66
São Paulo 62
Hanoi 58
Piscataway 54
Lawrence 50
Milan 50
Saint Petersburg 43
Dallas 39
Rome 39
Norwalk 35
Orem 35
The Dalles 32
Atlanta 28
Brooklyn 28
Redmond 27
Montreal 24
Shanghai 24
Chennai 23
Woodbridge 23
Houston 22
London 21
San Francisco 21
Toronto 21
Chicago 20
Denver 20
Warsaw 19
Frankfurt am Main 18
Izmir 18
Paris 18
Phoenix 18
Stockholm 18
Tokyo 18
Columbus 17
Florence 17
Mexico City 17
Johannesburg 16
Brasília 15
North Bergen 15
Turku 15
Ankara 14
Des Moines 14
Falkenstein 14
Porto Alegre 14
Rio de Janeiro 14
San José 14
Tashkent 14
Brussels 13
Boston 12
Philadelphia 12
Poplar 12
Redwood City 12
Baghdad 11
Haiphong 11
Medellín 11
Minneapolis 11
Amman 10
Amsterdam 10
Quito 10
Willemstad 10
Bari 9
Buffalo 9
Campinas 9
Charlotte 9
Guatemala City 9
Guayaquil 9
Lahore 9
Manchester 9
Mumbai 9
Nuremberg 9
San Salvador 9
Athens 8
Belo Horizonte 8
Biên Hòa 8
Totale 8.987
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Nome #
Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art 381
An integrated spectroscopic approach for the non invasive study of modern art materials and techniques 257
The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue) 217
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples 192
Scientific investigation of an important corpus of Picasso paintings in Antibes: new insights into technique, condition, and chronological sequence 174
Spectroscopic Characterization of Medioeval Pottery Sherds 159
A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials 154
Studio della tecnica pittorica della Deposizione di raffaello tramite tecniche spettroscopiche molecolari non invasive 154
Application of the Kubelka-Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers 151
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment 151
Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow paints 151
The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques 148
Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks 148
Studio dei materiali costitutivi e dello stato di conservazione con tecniche spettroscopiche non-invasive 147
In situ non-invasive study of artworks: the MOLAB multi-technique approach 147
Pala in terracotta maiolicata di Andrea Della Robbia ad Assisi (XV SEC.): studio della tecnica di decorazione e dello stato di conservazione. 146
Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I.non-invasive in situ investigations 146
AN UV-VISIBLE SPECTROSCOPIC DATABASE OF ORGANIC DYES: A PROMISING AND HELPFUL TOOL FOR A SCIENTIFIC KNOWLEDGE OF WORKS OF ART 142
PHOTOPHYSICAL AND PHOTOCHEMICAL BEHAVIOUR OF SOME NATURAL DYES USED IN PAINTING 138
Authentication and characterisation of pottery sherds from Apricena (FG) 138
The ‘Deposizione Baglioni’ (1507): Non-Invasive study of Raphael’s palette by complementary molecular spectroscopic techniques from X-rays to the near infrared 136
Photoluminescence properties of zinc oxide in paints: study of the effect of self absorption and passivation 136
A study on materials and pictorial techniques of the floor of 'S. Francesco' Church, 1524 Deruta (PG) 135
Alteration of chrome yellow pigments: study of the effect of commerial lighting systems and different wavelengths by means of synchrotron radiation based XANES and XRF methods 134
Materiali provenienti da siti archeologici: caratterizzazione mediante spettroscopie elettroniche ed ottiche 132
Identificazione non invasiva e proprietà fotofisiche di pigmenti a base di cadmioutilizzati nella pittura moderna e contemporanea 131
Disclosing Jackson Pollock's palette in Alchemy (1947) by non-invasive spectroscopies 129
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples 128
Identification of nineteenth century blue and green pigments by in situ x-ray fluorescence and micro-Raman spectroscopy 127
Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy 124
Luminescence spectroscopy: an investigative tool for art materials 124
Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi 123
DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye 122
UV-Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS1-xSex solid solutions employed as artists' pigments 122
Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate 122
In situ non-invasive investigation on the painting techniques of early Meissen Stoneware 121
Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings 120
Non-invasive scientific investigation on the paintings Tutto Nero, 1956 and Bianco e Nero, 1971 119
Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach 118
Original and fake blue pigments from the church of S. Francesco in Montefalco painted by Benozzo Gozzoli: a spectroscopic approach 118
Chartamus tinctorius: an organic dyestuff characterized by luminescence spectroscopy 117
Caratterizzazione chimico fisica di alcuni frammenti ceramici decorati a lustro provenienti da Deruta (secoli XVI – XVII) 117
Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc 117
Studio dello stato di conservazione e dei materiali costitutivi con tecniche spettroscopiche non invasive 117
Acidichromic Effects in 1,2- and 1,2,4-Hydroxyanthraquinones. A spectrophotometric and Fluorimetric Study 117
Vibrational and electronic properties of painting lakes 116
Spectroscopic study of acrylic polymers in solid matrices 116
Tracing the biological origin of siccative oils used in paintings through chloroplast DNA analysis 115
The Deposizione Baglioni (1507), Non-Invasive Study of Raphael’s Palette by Complementary Molecular Spectroscopic Techniques from X-Rays to the Near Infrared 114
Photochemistry of artists’ materials: from the laboratory to the museum 113
Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state 113
Chartamus tinctorius: an organic dyestuff characterized by steady state and time resolved luminescence spectroscopy 112
Designs and colors. Gerardo Dottori through non invasive investigations 112
Complexation of Apigenin and Luteolin in Weld Lake: a DFT/TDDFT investigation 112
Il pavimento della Chiesa di S. Francesco, 1524, Deruta (PG): studio dei materiali costitutivi e della tecnica pittorica 111
On the Use of Overtone and Combination Bands for the Analysis of the CaSO4-H2O System by Mid-Infrared Reflection Spectroscopy 111
MOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript 111
X-ray absorption investigations of copper resinate blackening in a XV century Italian painting 110
FT-NIR spectroscopy for the non-invasive identification of natural poymers in easel paintings 109
A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colourants used in artistic paintings 108
Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex 108
CO2 entrapment in natural ultramarine blue 107
Darkening of chrome yellows and Cr-speciation studies: what illumination system to ensure a safe exposition of light-sensitive paintings? 107
Non-invasive identification of metal oxalates and carboxylates on paintings by reflection mid-FTIR spectroscopy 107
Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre-Columbian Codex Fejérváry-Mayer by Means of Non-invasive Analysis 107
Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium 107
Subtracted shifted Raman spectroscopy of organic dyes and lakes 106
Identification of proteins in painting cross-sections by immunofluorescence microscopy. 105
“Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 105
Bleaching of red lake paints in encaustic mummy portraits 105
Photochemistry and cultural heritage. What is the impact of light on works of art? 105
Role of protolytic interactions in photo-ageing processes of carminic acid and carminic lake in solution and painted layers 104
Photophysics of ancient anthraquinone-Al complexes: from the laboratory to the artwork 103
Darkening process of the chrome yellow pigments in paintings by Vincent van Gogh studied by means of synchrotron radiation-based X-ray spectromicroscopy, EPR and vibrational spectroscopy 103
Fiber-optic mid-FTIR reflectance spectroscopy: a suitable technique for in-situ studies of mural paintings 102
The Application of In situ mid-FTIR Fibre-Optic Reflectance Spectroscopy and GC-MS Analysis to Monitor and Evaluate Painting Cleaning 102
The Perugino’s palette: integration of an extended in situ XRF study with aimed Raman scattering measurements 102
Chrome yellow (PbCrO4, PbCr1-xSxO4): the role of sulfate anions on the degradation process of these class of pigments and their detection in paintings by V. van Gogh and his contemporaries through the combined use of SR X-ray and conventional spectroscopic methods 102
Giallo di Napoli: studio spettroscopico in maioliche rinascimentali 101
Non-invasive NMR profiling of painting layers 101
Durability of the artificial calcium oxalate protective on two Florentine monuments 100
Structural characterization of the glassy phase in maiolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures 100
Mid-infrared hyperspectral imaging of painting materialsOptics for Arts, Architecture, and Archaeology IV 100
Indagini sulla tecnica decorativa e sullo stato conservativo di una pala in terracotta maiolicata di produzione robbiana 100
Biodiversità microbica e deterioramento di un soffitto dipinto di palazzo Frenfanelli-Cybo di Foligno (PG)”. 100
Naples Yellow: a spectroscopic study in renaissance majolica 98
Fluorescence Spectroscopy: a powerful technique for the non-invasive characterization of artworks 97
Investigations on the decorative technique and conservative state of a majolica altar manufactured by Andrea della Robbia 96
Reflectance fluorescence for the identification of organic pigments in paintings: spectroscopy and imaging from macro to micro 95
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino 95
Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience 95
Indagini sulla tecnica decorativa e sullo stato conservativo 94
Fotocromismo di alcune spiro-indolino-ossazine: studio fotocinetico della reazione promossa per irradiamento diretto e fotosensibilizzata per trasferimento di energia 94
Caratterizzazione di materiali ceramici antichi mediante microscopia elettronica a scansione 94
Efficiency and resistance of the artificial oxalate protection treatment on marble against chemical weathering 94
Spettrofluorimetria UV-VIS in riflettanza: una tecnica non distruttiva per la diagnostica dei manufatti artistici 93
In-situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts. Part II: Identification of orcein and indigo in Renaissance tapestries 93
Spectroscopic Characterization of Natural Dyes for Their Non-Invasive Identification on Pre-Columbian Codizes: The Maya Yellow 91
Photoluminescence properties of painting materials: from the laboratory to the museum” 91
Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques 91
Totale 12.230
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Categoria #
all - tutte 66.563
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 66.563
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/2022825 0 0 0 0 43 9 14 379 35 32 143 170
2022/20232.216 157 297 33 207 179 207 13 90 915 8 81 29
2023/2024964 43 95 45 28 13 17 168 16 147 36 215 141
2024/20252.295 109 205 159 58 297 72 100 138 481 147 378 151
2025/20264.677 327 327 219 666 626 334 750 222 510 375 130 191
2026/20271.781 361 219 247 869 85 0 0 0 0 0 0 0
Totale 15.778