In writing the unfinished Discorso sopra lo stato presente del costume degli Ita- liani, Leopardi shows, in a fairly obvious manner, a satirical attitude; at the origin of his thoughts on «the character of the Italians» it appears, in a less obvious manner, a profound comic relation- ship with the language; finally, the interpretative key with which Leopardi traces a pitiless but amusing portrait of a People, is even less visible: it is the excess of «Self-love», which has reduced the Italians to blindness and anesthesia while avoiding any social costume, nor for solidarity nor for convenience.
Le conseguenze del disamore nel Discorso sopra lo stato presente dei costumi degli Italiani di Giacomo Leopardi
Fabrizio Scrivano
2017
Abstract
In writing the unfinished Discorso sopra lo stato presente del costume degli Ita- liani, Leopardi shows, in a fairly obvious manner, a satirical attitude; at the origin of his thoughts on «the character of the Italians» it appears, in a less obvious manner, a profound comic relation- ship with the language; finally, the interpretative key with which Leopardi traces a pitiless but amusing portrait of a People, is even less visible: it is the excess of «Self-love», which has reduced the Italians to blindness and anesthesia while avoiding any social costume, nor for solidarity nor for convenience.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


