The aim of this article is to discover Echo’s symbolic presence in some of the natural settings painted on romano-campanian walls, closely linked to the Ovidian myth-making and the visual imagination which supports his poem; to achieve the goal, the paper will review the Narcissus episode and it will examine the rhetorical landscape description in Metamorphoses Book III.
Voce ritratta. Per un’iconografia di Eco
Benedetta Sciaramenti
2016
Abstract
The aim of this article is to discover Echo’s symbolic presence in some of the natural settings painted on romano-campanian walls, closely linked to the Ovidian myth-making and the visual imagination which supports his poem; to achieve the goal, the paper will review the Narcissus episode and it will examine the rhetorical landscape description in Metamorphoses Book III.File in questo prodotto:
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