The focus on reading aloud in the early years of life has activated avenues of research and study relatedto the dimension of accessibility. If reading is a right, conditions must be built so that this opportunitycan be demanded and experienced by all children, even when they have Special Educational Needs. This contribution intends to focus on tactile books, which are characterized by raised illustrationsmade of different materials and textures and text written in both Braille and enlarged characters.These texts are created to meet the needs of blind and visually impaired children and need to be pro-duced with special haptic characteristics in mind, which are necessary for them to be adapted to thereading needs of blind children. Reading them becomes an indispensable source of knowledge, ex-perimentation, play, school and social integration. However, the richness of their invoice today allowsthem to be placed as universal mediators, usable by all children in different school and life contexts.Indeed, they respond pertinently to the principles of Universal Design for Learning and to the pos-sibility of being texts capable of providing multiple means of representation, action and expression,and involvement. The biggest critical issue facing this new challenge is the publishing industry, whichis struggling to bear the costs and is now trying to activate, through specific national and internationalcompetitions, the participation and active involvement of parents, teachers and educators not onlyin terms of production but also in terms of awareness and information

I libri tattili illustrati come mediatori universali: questioni di accessibilità

Moira Sannipoli
2024

Abstract

The focus on reading aloud in the early years of life has activated avenues of research and study relatedto the dimension of accessibility. If reading is a right, conditions must be built so that this opportunitycan be demanded and experienced by all children, even when they have Special Educational Needs. This contribution intends to focus on tactile books, which are characterized by raised illustrationsmade of different materials and textures and text written in both Braille and enlarged characters.These texts are created to meet the needs of blind and visually impaired children and need to be pro-duced with special haptic characteristics in mind, which are necessary for them to be adapted to thereading needs of blind children. Reading them becomes an indispensable source of knowledge, ex-perimentation, play, school and social integration. However, the richness of their invoice today allowsthem to be placed as universal mediators, usable by all children in different school and life contexts.Indeed, they respond pertinently to the principles of Universal Design for Learning and to the pos-sibility of being texts capable of providing multiple means of representation, action and expression,and involvement. The biggest critical issue facing this new challenge is the publishing industry, whichis struggling to bear the costs and is now trying to activate, through specific national and internationalcompetitions, the participation and active involvement of parents, teachers and educators not onlyin terms of production but also in terms of awareness and information
2024
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11391/1575115
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